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The Woman in the Window
A. J. Finn
Contributed by Eleanor Sherer
Content
Overview
Context
Themes
Chapter Summaries
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Chapter 90
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Chapter 100
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Chapter 6
Summary

In this section, the author explains to the audience why the woman in the window never goes outdoors. Anna describes that her fear for the outdoors is a psychological problem for which she has been medicated. She describes her condition as “Agoraphobia”- fear of being outside the house (open spaces). From her computer’s message platform, it is evident that she is part of a group of people who share the same fear. To show the severity of her condition, the author states that Anna has never been out of her house for about ten months. This long-term social withdrawal and her psychology expertise make Anna to be a good adviser to other members of the Agora site individuals struggling with the same fear. Her username, “thedoctorisin” makes her an approachable person for guiding those undergoing depression. The author appeals to the ethos of the audience in this section so that they become sympathetic of Anna’s condition.

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