The Goldfinch
Donna Tartt
Contributed by Ariane Heyne
Chapter 12
Summary

In the last chapter of this novel, Tartt takes readers to where the narration started. This is when Theo encloses himself in a hotel room, confused and fearing an encounter with authorities. Theo cannot return to New York because he left his passport in Boris’ car. Theo contemplates suicide, and writes letters to people who are significant to his life informing them of his plans. In the letter addressed to Hobie, for example, Theo likens himself to a sick puppy. However, as Theo leaves his hotel room to commit suicide, Boris appears carrying huge sums of money. He explains to Theo that he had engineered a successful return of the masterpiece to museum authorities and the money he is carrying is Theo’s reward.

Theo returns to New York, meets Hobie, and narrates the entire story about The Goldfinch. He also tells Hobie about his scam with restored antiques. The two agree to use part of the reward to recover forgeries that Theo had sold as originals. Theo travels worldwide repurchasing the fake antiques as he prepares for a better future. As the novel ends, Pippa tells Theo that they can only be friends. On the other hand, Theo’s relationship issues with Kitsey remain unresolved, but Mrs. Barbour tells Theo that he can still be part of her family anytime he wants.

Analysis

The revelation of Theo’s mother in a dream is a metaphor that highlights Theo’s current life condition. Theo is on the verge of dying and even contemplates committing suicide. In the dream, Theo is meeting her mother in a place in-between life and death. In the hotel room, Theo’s loneliness pushes him to evaluate his personal values and to assess how his relationships with his parents have shifted. He develops a sense of self-awareness, understands the destructive facets of his character, and sees no need of continuing to live. Later, however, Hobie accepts Theo because the latter has accepted his personal faults.

The use of the first-person narrative is a literary device that Tartt uses to cast a shadow of doubt on the authenticity of the story. Through the use of Theo as the narrator and storyteller, Tartt distances herself from the tale. Otherwise, the involvement of Tartt as a narrator would have rendered the novel an autobiography, rather than a fiction.

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